Dr. Emmery will research and lecture at the University of Arts in Belgrade as part of a project on Between the Wars: Music and Cold-War Politics in Yugoslavia’s Avant-Garde Movement, 1950-1990.

With articles by Adams; Bhogal; Brøvig-Hanssen, Sandvik, and Aareskjold-Drecker; Ewell; Guez; Hutchinson; Kahrs; Lee; Mailman; Ofcarcik; Rabinovitch; Yorgason and Lyon.

The Executive Board of the Society for Music Theory condemns the anti-Black statements and personal ad hominem attacks on Philip Ewell perpetuated in several essays included in the “Symposium on Philip Ewell’s 2019 SMT Plenary Paper” published by the Journal of Schenkerian Studies.

SMT-V 6.4, "The Dance Chorus in Recent Top-40 Music," by Alyssa Barna, is available at www.smt-v.org.

“Discovering Essential Voices in Johann Sebastian Bach’s Solo Instrumental Suite Movements," by Daniel Ketter, is available at www.smt-v.org.

Given the new and renewed interest in race and ethnicity as they impact the teaching and study of music, the Society for Music Theory and W. W. Norton are making available to the music theory community Ellie Hisama's essay “Considering Race and Ethnicity in the Music Theory Classroom."

These awards can reimburse certain costs of scholarship, including out-of-pocket expenses preparing and publishing an article or book, organizing a conference or workshop that makes a substantial contribution to our field, and other such projects. 

The Executive Board of the Society for Music Theory unanimously approved an adjustment to our membership fees around equity. This tiered fee structure takes effect July 1, 2020.

I urge you to think of ways to counteract racism and other forms of prejudice in your own work: by changing your course content, broadening your scholarship, or simply reaching out to persons of color in our Society to express your support.

It is with sadness that we write that Helen Brown, longtime member of the Society for Music Theory (SMT), and one of the pioneering women in the field, passed away on April 12th, 2020.