With articles by Karpinski, Chenette, Gates, Marvin, Schumann, Boyle, Smith, Shupe, Donaldson, Hahn, Kozak; reviews by Duguay and Kovaciny.

SMT-V 7.4, “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out To The Ball Game’” by Michael Buchler, is now available at SMT-V.org.

We are pleased to announce the launch of a new audio publication through the Society of Music Theory called SMT-Pod.

The SMT Executive Board has three positions that will open up after our 2021 meeting: a new Vice President and two new members of the Executive Board ("Members-at-Large"). Check your email for an invitation from OpaVote to participate in this year’s election.

The Executive Board of the Society for Music Theory condemns the acts of anti-Asian violence that have been occurring this year in the United States and continue to escalate. We urge you to reach out to members of our Society who have been especially affected by these violent acts of the last three weeks, and who are dealing with this pain every day.

With articles by Beaudoin, Beavers, Garza, Hilewicz, Hudson, Li, Maler, Komaniecki, and Salley; reviews by Boyle, Leydon, Sherrill, Swinkin, Rings, and Hilewicz.

With articles by Smith, Yunek, Wadsworth, Needle, Ng, Yust, Burns, Wiskus, Sullivan, Schumann; reviews by Trevor, Reybrouck, and Shanahan.

SMT-V 7.3, “A Film Scene for Schoenberg’s Begleitungsmusik zu einer Lichtspielscene” by Orit Hilewicz & Stephen Sewell, is now available at SMT-V.org.

Graduate student workshops: Professor Nancy Rogers of Florida State University will be presenting a workshop on Intersections of Music Cognition and Music Theory Pedagogy; Professor Kyle Adams of Indiana University will be presenting a workshop on Analyzing Hip-Hop through the Music of Daniel Dumile. Peer Learning Programs: Professor Arnie Cox of the Oberlin Conservatory of Music will be presenting a workshop on Music & Emotion: A Semi-Practical Approach; Professor Áine Heneghan of the University of Michigan will be presenting a workshop on Form and Forming: Schoenbergian Analysis.

SMT-V 7.2, “Dance as Music in George Balanchine’s Concerto Barocco” by Kara Yoo Leaman, is now available at SMT-V.org.