"Tessellated Tonics: Zuckerkandl's Toy for Music Fundamentals" by Daphne Tan, Alexis Millares Thomson, Tegan Ridge, and Emma Soldaat is now available at SMT-V.org and on YouTube.
“‘Why Can’t I Just Do It Straightaway?’ Bluey, Joff Bush, and Accumulation” by Derek J. Myler is now available at SMT-V.org and on YouTube.
“Japanese Tetrachordal Theory in Settings Old and New” by Liam Hynes-Tawa is now available at SMT-V.org and on YouTube.
“Whole-Tone Collections and Temporal Dislocation in Film Music” by Zachary Cairns is now available at SMT-V.org and on YouTube.
"Simultaneous Distinct Headbanging Patterns in Heavy Metal" by Guy Capuzzo is now available at SMT-V.org and on YouTube.
"The Best Laid Plans . . . and Others: An 18th-Century Compositional Outline" by L. Poundie Burstein with Quynh Nguyen and Jennifer Roderer is now available at SMT-V.org.
SMT-V 9.5, "Poetry and Musical Organization in JIA Guoping's The Wind Sounds in the Sky (2002)" by Yi-Cheng Daniel Wu is now available at SMT-V.org.
SMT-V 8.5, "Flat 2 as Hotness in Post-Millennial Pop" by Eron F.S., is now available at SMT-V.org.
SMT-V 8.4, "Appropriating Copland's Fanfare" by Stanley V. Kleppinger, is now available at SMT-V.org.
SMT-V 8.2, “Clara Schumann’s op. 16 no. 3 and 'Fifth Above, Third Below': Discerning Inverted Canonic Potential” by Scott Murphy, is now available at SMT-V.org.
SMT-V 8.1, “Abe Road: Kuwata Keisuke’s Beatles Parody” by Noriko Manabe, is now available at SMT-V.org.
SMT-V 7.6, “‘Oops!… I Did It Again’: The Complement Chorus in Britney Spears, The Backstreet Boys, and *NSYNC” by Megan Lavengood, is now available at SMT-V.org.
SMT-V 7.5, “Understanding Turkish Classical Makam: Identifying Modes Through Characteristic Melodies” by Adem Merter Birson, is now available at SMT-V.org.
SMT-V 7.4, “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out To The Ball Game’” by Michael Buchler, is now available at SMT-V.org.
SMT-V 7.3, “A Film Scene for Schoenberg’s Begleitungsmusik zu einer Lichtspielscene” by Orit Hilewicz & Stephen Sewell, is now available at SMT-V.org.
SMT-V 7.2, “Dance as Music in George Balanchine’s Concerto Barocco” by Kara Yoo Leaman, is now available at SMT-V.org.
SMT-V 7.1, “Music Appreciation Through Animation: “Percy Scholes’s ‘AudioGraphic’ Piano Rolls,” by Stephanie Probst, is now available at SMT-V.org.
"Melodic Language & Linguistic Melodies: Text Setting in Ìgbò" by Aaron Carter-Ényì and Quintina Carter-Ényì is now available at www.smt-v.org.
SMT-V 6.4, "The Dance Chorus in Recent Top-40 Music," by Alyssa Barna, is available at www.smt-v.org.
“Discovering Essential Voices in Johann Sebastian Bach’s Solo Instrumental Suite Movements," by Daniel Ketter, is available at www.smt-v.org.
A new video has been released as part of SMT-V volume 6. The video is titled "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater," created by Brian Jarvis and John Peterson. Go to www.smt-v.org to watch.
Watch Cecilia Oinas's SMT-V publication: "Sensitivity, Intimacy, and Bodily Interaction in Kurtág’s Four-Handed Piano Works”.