We at MTO are proud to present Volume 27, no. 4, with 9 articles and 2 reviews. Stop whatever you're doing and read the whole thing!
Wishing all a healthy new year,
Mitch Ohriner, Editor
Articles
Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971
David S. Carter (Loyola Marymount University)
Onset and Contiguity: Melodic Feature Reduction and Pattern Discovery
Aaron Carter-Ényì (Morehouse College)
Gilad Rabinovitch (Florida State University)
Romantic Periods
Diego Cubero (University of North Texas)
The Logic of Six-Based Minor for Harmonic Analyses of Popular Music
Trevor de Clercq (Middle Tennessee State University)
Rebonds: Structural Affordances, Negotiation, and Creation
Ben Duinker (University of Toronto)
Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II
Jocelyn Ho (University of California, Los Angeles)
Brahmsian Articulation: Ambiguous and Unfixed Structures in Op. 38
Ana Llorens (Universidad Complutense de Madrid)
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show
Olivia R. Lucas (Louisiana State University)
Sometimes the Music Wins: Text and Music in a Willaert Madrigal
Peter Schubert (McGill University)
Reviews
Review of Megan Kaes Long, Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century (Oxford University Press, 2020)
Gregory Barnett (Rice University)
Review of Laura Emmery, Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches (Routledge, 2020)
Peter Smucker (Stetson University)