| Husarik, Stephen. “Musikalien Register NR 9.” Archduke Rudolph's Musikalien Register Nr 9: an online database (2024). https://uafslibrary.com/Husarik2/. |
Citation of Special Merit |
| Lam, Nathan, & Chang, Jihye, piano. Symmetricon. NathanLamMusic, September 2024. https://NathanLam.com/music. |
Citation of Special Merit |
| Li, Edwin K. C., Chris Stover, and Anna Yu Wang, eds. "Music Theory in the Plural." Music Theory Online 30, no. 4. (December 2024). |
Citation of Special Merit |
| Principi, Dylan. “Rethinking Topic Theory: An Essay on the Recent History of a Music Theory.” Music Theory Online 30, no. 1 (March 2024). https://doi.org/10.30535/mto.30.1.9. |
Citation of Special Merit |
| Willner, Channan. "On Hemiolic Resonance." Self-published (2024). |
Citation of Special Merit |
| Alcalde, Bruno. “Mixture Strategies: An Analytical Framework for Musical Hybridity.” Music Theory Online 28, no. 1 (March 2022). https://doi.org/10.30535/mto.28.1.1. |
Emerging Scholar Award (Article) |
| Cannon-Brown, Lee. “Julián Carrillo, Laws of Musical Metamorphosis, and the Landscape of Early Atonal Thought.” Music Theory Online 30, no. 4 (2024). |
Emerging Scholar Award (Article) |
| Donaldson, James. “Sketching Musical Meaning? Case Studies from Ligeti’s Late Works.” The Journal of Musicology 41, no. 3 (2024): 293–333. https://doi.org/10.1525/jm.2024.41.3.293. |
Emerging Scholar Award (Article) |
| Duguay, Michéle. "Analyzing Vocal Placement in Recorded Virtual Space." Music Theory Online 28, no. 4 (2022). https://mtosmt.org/issues/mto.22.28.4/mto.22.28.4.duguay.html. |
Emerging Scholar Award (Article) |
| Duinker, Ben. “Interpretive Difficulty and Emergent Structure in Contemporary Music.” Journal of Music Theory 66, no. 2 (October 1, 2022): 223–53. https://doi.org/10.1215/00222909-9930901. |
Emerging Scholar Award (Article) |
| Ferrandino, Matthew. "Multi-Centric Complexes in Pop-Rock Music." Intégral 35 (2022): 27-43. |
Emerging Scholar Award (Article) |
| Frederick, Leah. “Diatonic Voice-Leading Transformations.” Music Theory Spectrum 46, no. 1 (November 6, 2023): 37–69. https://doi.org/10.1093/mts/mtad017. |
Emerging Scholar Award (Article) |
| Gardner, Samuel, and Nicholas J. Shea. “Gestural Perspectives on Popular-Music Performance.” Music Theory Online 28, no. 3 (September 2022). https://doi.org/10.30535/mto.28.3.3. |
Emerging Scholar Award (Article) |
| Grasso, Julianne. “Affective Zones: The Spaces of Possibility in Video Game Music.” Music and the Moving Image 17, no. 3 (2024): 3–19. https://doi.org/10.5406/19407610.17.3.01. |
Emerging Scholar Award (Article) |
| Hardman, Kristi. “The Continua of Sound Qualities for Tanya Tagaq’s Katajjaq Sounds.” Chapter. In Trends in World Music Analysis: New Directions in World Music Analysis, edited by Lawrence Beaumont Shuster, Somangshu Mukherji, and Noé Dinnerstein. London: Routledge, 2024. |
Emerging Scholar Award (Article) |
| Keep, David. “The Voice of Enigma: Intertextuality in “Im Wunderschönen Monat Mai.” Intégral, 2003, 36 (n.d.): 175–91. |
Emerging Scholar Award (Article) |
| Lam, Nathan L. “Pentatonic Xuangong 旋宮 Transformations in Chinese Music.” Music Theory Online 30, no. 1 (March 2024). https://doi.org/10.30535/mto.30.1.5. |
Emerging Scholar Award (Article) |
| Li, Edwin K. C. “Theorizing Affect in Mahler.” Music & Letters 105, no. 3 (June 11, 2024): 313–36. https://doi.org/10.1093/ml/gcae035. |
Emerging Scholar Award (Article) |
| Li, Edwin, Aaron Carter-Ényi, and David Àìná. "Towards a Cross-Cultural Theory of Tone-Tune Mapping: A Comparative Study of Cantonese and Yorùbá." Analytical Approaches to World Music 12, no. 1 (2024). |
Emerging Scholar Award (Article) |
| Luong, Vivian. “Animating Indeterminate Agency.” Chapter. In Queer Ear: Remaking Music Theory, edited by Gavin S. K. Lee. New York: Oxford University Press, 2023. |
Emerging Scholar Award (Article) |
| Mayr, Desirée. “Leopoldo Miguéz’s Nocturnes Opp.10 and 20/1: Political Context and Stylistic Analysis in the ‘City of Pianos.’” Music Theory and Analysis 10, no. 1 (May 30, 2023): 1–36. https://doi.org/10.11116/mta.10.1.1. |
Emerging Scholar Award (Article) |
| Miller, Brian. “Digital Scores, Algorithmic Agents, Encoded Ontologies: On the Objects of Musical Computation.” Chapter. In Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne. Routledge, 2022. |
Emerging Scholar Award (Article) |
| Mitchell, Nathaniel. “On Meter and the Social Dynamics of Cueing in Bill Monroe’s ‘Muleskinner Blues.’” Music Theory Online 30, no. 3 (September 2024). https://doi.org/10.30535/mto.30.3.4. |
Emerging Scholar Award (Article) |
| Momii, Toru. “Performing Te: Gesture and Timbre in Fujikura Dai’s Neo for Solo Shamisen.” Music Theory Spectrum 46, no. 2 (2024): 185–207. https://doi.org/10.1093/mts/mtae002. |
Emerging Scholar Award (Article) |
| O’Hara, William. “The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers.” Music Theory Online 28, no. 3 (September 2022). https://doi.org/10.30535/mto.28.3.9. |
Emerging Scholar Award (Article) |
| Ovenden, Philippa. “Johannes Vetulus de Anagnia’s Platonist Model of Musical Time.” Early Music History 41 (2023): 303–45. https://doi.org/10.1017/s0261127923000013. |
Emerging Scholar Award (Article) |
| Sánchez-Kisielewska, Olga. “On Figaro’s Alleged Minuet and Some Challenges and Opportunities of Topic Theory.” Music Theory Spectrum 45, no. 1 (January 23, 2023): 89–99. https://doi.org/10.1093/mts/mtac027. |
Emerging Scholar Award (Article) |
| Smith, Eron. “Prosodic Dissonance.” Music Theory Online 30, no. 2 (June 2024). https://doi.org/10.30535/mto.30.2.6. |
Emerging Scholar Award (Article) |
| Torres-Rivera, Noel. “Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de Pájaros Muertos (1966).” Journal of the American Musicological Society 77, no. 3 (2024): 723–67. https://doi.org/10.1525/jams.2024.77.3.723. |
Emerging Scholar Award (Article) |
| Utne-Reitan, Bjørnar. “Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy.” Music Theory Online 30, no. 3 (September 2024). https://doi.org/10.30535/mto.30.3.7. |
Emerging Scholar Award (Article) |
| Venturino, Stephanie. “Who Is Allowed to Be a Music Theorist? Sarah Mary Fitton and Conversations on Harmony (1855).” Music Theory Online 30, no. 4 (2024). |
Emerging Scholar Award (Article) |
| Walden, Daniel K. “The Global Tonnetz.” Journal of the American Musicological Society 77, no. 2 (2024): 447–509. https://doi.org/10.1525/jams.2024.77.2.447. |
Emerging Scholar Award (Article) |
| Yu Wang, Anna. “Philosophizing Time in Sinitic Opera.” Music Theory Online 29, no. 3 (September 2023). https://doi.org/10.30535/mto.29.3.7. |
Emerging Scholar Award (Article) |
| Zhang, Xieyi (Abby). “Apparently Imperfect: On the Analytical Issues of the IAC.” Music Theory Spectrum 44, no. 2 (June 3, 2022): 191–212. https://doi.org/10.1093/mts/mtac005. |
Emerging Scholar Award (Article) |
| Maler, Anabel. Seeing voices: Analyzing sign language music. New York, NY: Oxford University Press, 2024. |
Emerging Scholar Award (Book) |
| Maust, Paula. Expanding the music theory canon: Inclusive examples for analysis from the common practice period. Albany: State University of New York Press, 2023. |
Emerging Scholar Award (Book) |
| Piilonen, Miriam. Theorizing music evolution: Darwin, Spencer, and the limits of the human. New York, NY: Oxford University Press, 2024. |
Emerging Scholar Award (Book) |
| Sofer, Daniele Shlomit. Sex sounds: Vectors of difference in electronic music. MIT Press, 2022. |
Emerging Scholar Award (Book) |
| Wente, Allison Rebecca. Player piano and musical labor: The ghost in the Machine. S.l.: Routledge, 2022. |
Emerging Scholar Award (Book) |
| Chapkanov, Bozhidar, ed. Transformational analysis in practice: Music-Analytical Studies on composers and musicians from around the world. Wilmington, DE: Vernon Press, 2024. |
Outstanding Multi-Author Collection |
| Everett, Yayoi Uno, ed. Contemporary opera in flux. Ann Arbor Michigan: University of Michigan Press, 2024. |
Outstanding Multi-Author Collection |
| Lehman, Frank, ed. Film music analysis: Studying the score. New York, NY: Routledge, 2024. |
Outstanding Multi-Author Collection |
| Li, Edwin K. C., Chris Stover, and Anna Yu Wang, eds. "Music Theory in the Plural." Music Theory Online 30, no. 4. (December 2024). |
Outstanding Multi-Author Collection |
| Lee, Gavin S. K., ed. Queer ear: Remaking music theory. Oxford: Oxford University Press, Incorporated, 2023. |
Outstanding Multi-Author Collection |
| Remeš, Derek, ed. Music theory and analysis 11, no. 1 (May 2024). |
Outstanding Multi-Author Collection |
| Shuster, Lawrence Beaumont, Somangshu Mukherji, and Noé Dinnerstein, eds. Trends in world music analysis: New directions in world music analysis. London: Routledge, 2022. |
Outstanding Multi-Author Collection |
| Alcalde, Bruno. “Mixture Strategies: An Analytical Framework for Musical Hybridity.” Music Theory Online 28, no. 1 (March 2022). https://doi.org/10.30535/mto.28.1.1. |
Outstanding Publication Award |
| Babyak, Tekla. “Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132.” 19th-Century Music 47, no. 2 (2023): 111–28. https://doi.org/10.1525/ncm.2023.47.2.111. |
Outstanding Publication Award |
| Belcher, Owen, Catrina Kim, and Alan Reese. “Public Music Theory’s Neoliberal Learning Outcomes.” Music Theory Online 29, no. 2 (June 2023). https://doi.org/10.30535/mto.29.2.2. |
Outstanding Publication Award |
| Bhogal, Gurminder Kaur. “Tracking the Harmonium from Christian Missionary Hymns to Sikh Kirtan.” Yale Journal of Music & Religion 8, no. 2 (2022). https://doi.org/10.17132/2377-231x.1240. |
Outstanding Publication Award |
| Boss, Jack. “George Walker’s Piano Music.” Music Theory Online 28, no. 3 (September 2022). https://doi.org/10.30535/mto.28.3.2. |
Outstanding Publication Award |
| Boyle, Matthew L. “The Serenade Topic, the Serenade Construction, and the Creation of Amorous Sweetness in Ottocento Opera.” Journal of Music Theory 68, no. 1 (April 1, 2024): 1–34. https://doi.org/10.1215/00222909-10974683. |
Outstanding Publication Award |
| Cannon-Brown, Lee. “Julián Carrillo, Laws of Musical Metamorphosis, and the Landscape of Early Atonal Thought.” Music Theory Online 30, no. 4 (2024). |
Outstanding Publication Award |
| Chung, Andrew J. "Early Modern Tuning, Temperament, and the Natural Philosophy of Empire." Journal of Music Theory 68, no. 2 (October 2024): 315-356. |
Outstanding Publication Award |
| Cohen, David E. "From Ramos to Rameau: Toward the Origins of the Modern Concept of Harmony." Journal of Music Theory 66, no. 1 (Spring 2022): 1-42. |
Outstanding Publication Award |
| Cook, Karen M. “8-Bit Affordances: Jun Chikuma’s Soundtrack to Faxanadu.” Music Theory Online 29, no. 3 (September 2023). https://doi.org/10.30535/mto.29.3.1. |
Outstanding Publication Award |
| De Souza, Jonathan. “Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving.” Music Theory Spectrum 44, no. 2 (May 11, 2022): 213–30. https://doi.org/10.1093/mts/mtac003. |
Outstanding Publication Award |
| Diaz, Juan Diego, and Alex Rossi. “Singing in Tune: Berimbau Tuning and Song Mode in Capoeira (1937-1978).” Analytical Approaches to World Music 12, no. 1 (2024): 1–117. |
Outstanding Publication Award |
| Duguay, Michéle. "Analyzing Vocal Placement in Recorded Virtual Space." Music Theory Online 28, no. 4 (2022). https://mtosmt.org/issues/mto.22.28.4/mto.22.28.4.duguay.html. |
Outstanding Publication Award |
| Fankhauser, Gabriel. “Displaced Cadential Six-Four Chords.” Intégral 37 (2024): 49–70. |
Outstanding Publication Award |
| Gardner, Samuel, and Nicholas J. Shea. “Gestural Perspectives on Popular-Music Performance.” Music Theory Online 28, no. 3 (September 2022). https://doi.org/10.30535/mto.28.3.3. |
Outstanding Publication Award |
| Hardman, Kristi. “The Continua of Sound Qualities for Tanya Tagaq’s Katajjaq Sounds.” Chapter. In Trends in World Music Analysis: New Directions in World Music Analysis, edited by Lawrence Beaumont Shuster, Somangshu Mukherji, and Noé Dinnerstein. London: Routledge, 2022. |
Outstanding Publication Award |
| Hutchinson, Kyle. “The Predominant Six-Four in the Late Music of Richard Strauss.” Music Theory Spectrum 45, no. 1 (February 8, 2023): 20–41. https://doi.org/10.1093/mts/mtac018. |
Outstanding Publication Award |
| Lam, Nathan L. “Pentatonic Xuangong 宮 Transformations in Chinese Music.” Music Theory Online 30, no. 1 (March 2024). https://doi.org/10.30535/mto.30.1.5. |
Outstanding Publication Award |
| Leaman, Kara Yoo. “George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux.” Music Theory Spectrum 44, no. 2 (May 31, 2022): 340–69. https://doi.org/10.1093/mts/mtac007. |
Outstanding Publication Award |
| Lee, Dickie. “A Speedrun within a Rock Show: Interpreting Bit Brigade’s Video Game Performance Art and Analyzing Their Speedrun of Zelda.” Journal of Sound and Music in Games 5, no. 4 (2024): 1–33. https://doi.org/10.1525/jsmg.2024.5.4.1. |
Outstanding Publication Award |
| Lee, Gavin S. “Hermeneutic Limits; or, When Not to Theorize: Notes for Interpreting Our Phoenix by Trans Indigenous Mexican-American Composer Mari Esabel Valverde.” Music Theory Spectrum 46, no. 2 (2024): 208–25. https://doi.org/10.1093/mts/mtae004. |
Outstanding Publication Award |
| Li, Edwin K. C. “Theorizing Affect in Mahler.” Music & Letters 105, no. 3 (June 11, 2024): 313–36. https://doi.org/10.1093/ml/gcae035. |
Outstanding Publication Award |
| Li, Edwin, Aaron Carter-Ényi, and David Àìná. "Towards a Cross-Cultural Theory of Tone-Tune Mapping: A Comparative Study of Cantonese and Yorùbá." Analytical Approaches to World Music 12, no. 1 (2024). |
Outstanding Publication Award |
| Lindhorst, Jonathan. “Tone-Clock Theory Explained. Mapping the Chromatic Tonalities.” Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 21, no. 2 (2024). https://doi.org/10.31751/1217. |
Outstanding Publication Award |
| Long, Megan Kaes. “Hexachordal Solmization and Syllable-Invariant Counterpoint in the Vocal Music of William Byrd.” Music Theory Spectrum 45, no. 2 (July 17, 2023): 284–308. https://doi.org/10.1093/mts/mtad010. |
Outstanding Publication Award |
| Mayr, Desirée. “Neo-Riemannian Analysis in the Music of Leopoldo Miguéz: First Movement of the Violin Sonata Op. 14 as a Case Study.” Chapter. In Transformational Analysis in Practice: Music-Analytical Studies on Composers and Musicians from around the World, edited by Bozhidar Chapkanov. Vernon Press, 2024. |
Outstanding Publication Award |
| Miller, Brian. “Digital Scores, Algorithmic Agents, Encoded Ontologies: On the Objects of Musical Computation.” Chapter. In Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne. Routledge, 2022. |
Outstanding Publication Award |
| Mitchell, Nathaniel. “On Meter and the Social Dynamics of Cueing in Bill Monroe’s ‘Muleskinner Blues.’” Music Theory Online 30, no. 3 (September 2024). https://doi.org/10.30535/mto.30.3.4. |
Outstanding Publication Award |
| Momii, Toru. “Performing Te: Gesture and Timbre in Fujikura Dai’s Neo for Solo Shamisen.” Music Theory Spectrum 46, no. 2 (2024): 185–207. https://doi.org/10.1093/mts/mtae002. |
Outstanding Publication Award |
| Mutch, Caleb. “How the Triad Took (a) Root.” Journal of Music Theory 66, no. 1 (April 1, 2022): 43–62. https://doi.org/10.1215/00222909-9534127. |
Outstanding Publication Award |
| Neidhöfer, Christoph. “Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni.” Music Theory Online 30, no. 2 (June 2024). https://doi.org/10.30535/mto.30.2.5. |
Outstanding Publication Award |
| Nobile, Drew F. “Teleology in Verse–Prechorus–Chorus Form, 1965–2020.” Music Theory Online 28, no. 3 (September 2022). https://doi.org/10.30535/mto.28.3.8. |
Outstanding Publication Award |
| O’Hara, William. “The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers.” Music Theory Online 28, no. 3 (September 2022). https://doi.org/10.30535/mto.28.3.9. |
Outstanding Publication Award |
| Osborn, Brad. "Formal Functions and Rotations in Top-40 EDM." Intégral 36 (2023): 35-54. |
Outstanding Publication Award |
| Parkhurst, Bryan J. “Sins of the Father: Schenker, Schenkerism and Ewell’s On Music Theory.” Music Analysis 43, no. 1 (March 2024): 136–74. https://doi.org/10.1111/musa.12226. |
Outstanding Publication Award |
| Rabinovitch, Gilad, and Aaron Carter-Enyi. “Melodic Organization and Sequential Ordering of Galant Schemata.” Music Theory Online 30, no. 1 (March 2024). https://doi.org/10.30535/mto.30.1.7. |
Outstanding Publication Award |
| Rehding, Alexander. “Fine-Tuning a Global History of Music Theory: Divergences, Zhu Zaiyu, and Music-Theoretical Instruments.” Music Theory Spectrum 44, no. 2 (June 17, 2022): 260–75. https://doi.org/10.1093/mts/mtac004. |
Outstanding Publication Award |
| Shea, Nicholas, Lindsey Reymore, Christopher Wm. White, Leigh VanHandel, Ben Duinker, and Nicole Biamonte. “Diversity in Music Corpus Studies.” Music Theory Online 30, no. 1 (March 2024). https://doi.org/10.30535/mto.30.1.8. |
Outstanding Publication Award |
| Sutcliffe, W. Dean. “What Is Haydn Doing in a John Field Nocturne?” Music Analysis 42, no. 2 (May 29, 2023): 163–87. https://doi.org/10.1111/musa.12208. |
Outstanding Publication Award |
| Utne-Reitan, Bjørnar. “Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy.” Music Theory Online 30, no. 3 (September 2024). https://doi.org/10.30535/mto.30.3.7. |
Outstanding Publication Award |
| Walden, Daniel K. “The Global Tonnetz.” Journal of the American Musicological Society 77, no. 2 (2024): 447–509. https://doi.org/10.1525/jams.2024.77.2.447. |
Outstanding Publication Award |
| Ware, Evan. “No, They’re Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue.” Chapter. In Music In Star Trek: Sound, Utopia, and the Future, edited by Jessica Getman, Brooke McCorkle-Okazaki, and Evan Ware, 199–231. New York, NY: Routledge, 2023. |
Outstanding Publication Award |
| Yu Wang, Anna. “Philosophizing Time in Sinitic Opera.” Music Theory Online 29, no. 3 (September 2023). https://doi.org/10.30535/mto.29.3.7. |
Outstanding Publication Award |
| DeGraf, Galen, "How to Transform and Develop Musical Ideas." Posted 2024, by Galen DeGraf, YouTube, https://www.youtube.com/playlist?list=PLQ45M4ipLJwS9Yd-xzN5jUwCQk0aZIuPJ |
Pedagogy of Music Theory Award |
| Duinker, Ben. “Rhythmic Theory Pedagogy, Ways of Knowing, and Experiential Learning.” Journal of Music Theory Pedagogy 37, no. 1 (January 1, 2023). https://doi.org/10.71156/2994-7073.1440. |
Pedagogy of Music Theory Award |
| Louden, Sarah, and Adem Birson. "NYU Music Theory & Aural Skills Anthologies." NYU Music Theory Resources, NYU Steinhardt Music Theory & History Program (2024). |
Pedagogy of Music Theory Award |
| Maust, Paula. Expanding the music theory canon: Inclusive examples for analysis from the common practice period. Albany: State University of New York Press, 2023. |
Pedagogy of Music Theory Award |
| Monahan, Seth. "Basics of Classical Harmony & Counterpoint." Posted 2022-2024, by Seth Monahan, YouTube. www.youtube.com/c/sethmonahan |
Pedagogy of Music Theory Award |
| Paraschivescu, Nicoleta. The partimenti of Giovanni Paisiello: Pedagogy and practice. Translated by Chris Walton. Rochester, NY: University of Rochester Press, 2022. |
Pedagogy of Music Theory Award |
| Reid, Molly. “Nonwestern Music and Decolonial Pedagogy in the Music Theory Classroom.” Journal of Music Theory Pedagogy 36, no. 1 (January 1, 2022). https://doi.org/10.71156/2994-7073.1408. |
Pedagogy of Music Theory Award |
| Thomas, Paul, Jenn Weaver, and Ben Graf, hosts. Note Doctors Podcast Thomas, Paul, Jenn Weaver, and Ben Graf. Note Doctors Podcast. 2022-2024. https://podcasts.apple.com/us/podcast/note-doctors/id1530735460 |
Pedagogy of Music Theory Award |
| Cannon-Brown, Lee. “Julián Carrillo, Laws of Musical Metamorphosis, and the Landscape of Early Atonal Thought.” Music Theory Online 30, no. 4 (2024). |
Public-Facing Scholarship Award |
| Capuzzo, Guy. "Simultaneous Distinct Headbanging Patterns in Heavy Metal." SMT-V 10.4 (July 2024). |
Public-Facing Scholarship Award |
| Chattah, Juan. Film music cognition to interpretation. New York: Routledge, Taylor & Francis Group, 2024. |
Public-Facing Scholarship Award |
| Chua, Daniel K. L. Music & Joy: Lessons on the good life. New Haven: Yale University Press, 2024. |
Public-Facing Scholarship Award |
| Cuchna, C. & Osborn, B., interview. "Radiohead: In Rainbows"(Season 11, ep. 1) [Audio podcast episode] in Dissect (2023). https://www.theringer.com/podcasts/dissect/2023/09/26/s11e1-radiohead-in-rainbows |
Public-Facing Scholarship Award |
| Ferrandino, Matthew. "Sonic Identity, Imitation, and Critical Listening in Popular Music." SMT-Pod 1, Ep. 5 (February 10, 2022). https://smt-pod.org/episodes/season01/e1.5/. |
Public-Facing Scholarship Award |
| Ferrandino, Matthew, and Frank Nawrot. "Tonal Polymodality in Tool's Aenima. " SMT-Pod 2, Ep. 2 (February 2, 2023). https://smt-pod.org/episodes/season02/e2.2/ |
Public-Facing Scholarship Award |
| Lam, Nathan, & Chang, Jihye, piano. Symmetricon. NathanLamMusic, September 2024. https://NathanLam.com/music. |
Public-Facing Scholarship Award |
| Lee, Dickie. “A Speedrun within a Rock Show: Interpreting Bit Brigade’s Video Game Performance Art and Analyzing Their Speedrun of Zelda.” Journal of Sound and Music in Games 5, no. 4 (2024): 1–33. https://doi.org/10.1525/jsmg.2024.5.4.1. |
Public-Facing Scholarship Award |
| Maust, Paula. Expanding the music theory canon: Inclusive examples for analysis from the common practice period. Albany: State University of New York Press, 2023. |
Public-Facing Scholarship Award |
| Mitchell, Nathaniel. "Variations on a Theme by K. K. Slider: Memory and Play in Animal Crossing: New Horizons." SMT-V 9, no. 4 (July 2023). |
Public-Facing Scholarship Award |
| Osborn, Brad. “Dual Leading-Tone Loops in Recent Dramatic Television.” SMT-V 10, no. 2 (2023). |
Public-Facing Scholarship Award |
| Beaudoin, Richard. Sounds as they are: The unwritten music in classical recordings. New York, NY: Oxford University Press, 2024. |
Wallace Berry Award |
| Caplin, William Earl. Cadence: A study of closure in tonal music. New York, NY: Oxford University Press, 2024. |
Wallace Berry Award |
| Chattah, Juan. Film music cognition to interpretation. New York: Routledge, Taylor & Francis Group, 2024. |
Wallace Berry Award |
| Chua, Daniel K. L. Music & Joy: Lessons on the good life. New Haven: Yale University Press, 2024. |
Wallace Berry Award |
| Clement, Brett. Rock tonality amplified: A theory of modality, harmonic function, and tonal hierarchy. S.l.: Routledge, 2023. |
Wallace Berry Award |
| Dodds, Michael Robert. From modes to keys in early modern music theory. New York, NY: Oxford University Press, 2023. |
Wallace Berry Award |
| Everett, Walter. Sex and gender in pop. New York: Bloomsbury Academic, 2023. |
Wallace Berry Award |
| Ewell, Philip. On music theory, and making music more welcoming for everyone. Ann Arbor: University of Michigan Press, 2023. |
Wallace Berry Award |
| Gallope, Michael. The musician as philosopher: New York's vernacular avant-garde, 1958-1978. University of Chicago Press, 2024. |
Wallace Berry Award |
| Greenberg, Yoel. How sonata forms: A bottom-up approach to musical form. Oxford University Press, 2022. |
Wallace Berry Award |
| Isaacson, Eric J. Visualizing music. Bloomington, IN: Indiana University Press, 2023. |
Wallace Berry Award |
| Koozin, Timothy. Embodied expression in popular music: A theory of musical gesture and agency. New York, NY: Oxford University Press, 2024. |
Wallace Berry Award |
| Maler, Anabel. Seeing voices: Analyzing sign language music. New York, NY: Oxford University Press, 2024. |
Wallace Berry Award |
| McAdams, Stephen. Perception and cognition of music: The sorbonne lectures. Oxford: Oxford University Press, Incorporated, 2024. |
Wallace Berry Award |
| McFarland, Mark John. The musical relationship between Claude Debussy and Igor Stravinsky. Rochester, NY, USA, Woodbridge, Suffolk, UK: University of Rochester Press ; Boydell & Brewer Limited, 2024. |
Wallace Berry Award |
| Paraschivescu, Nicoleta. The partimenti of Giovanni Paisiello: Pedagogy and practice. Translated by Chris Walton. Rochester, NY: University of Rochester Press, 2022. |
Wallace Berry Award |
| Rink, John. Music in profile: Twelve performance studies. New York, NY: Oxford University Press, 2023. |
Wallace Berry Award |
| Rodgers, Stephen. The songs of Clara Schumann. Cambridge University Press, 2023. |
Wallace Berry Award |
| Rusch, René. Schubert's instrumental music and poetics of interpretation. Indiana University Press, 2023. |
Wallace Berry Award |
| Sofer, Daniele Shlomit. Sex sounds: Vectors of difference in electronic music. MIT Press, 2022. |
Wallace Berry Award |
| Veal, Michael E. Living space: John Coltrane, Miles Davis, and free jazz, from analog to digital. Middletown, CT: Wesleyan University Press, 2024. |
Wallace Berry Award |
| Weaver, Andrew H. Narrative and Robert Schumann’s songs: A new approach to the romantic lied. Rochester, NY: University of Rochester Press, 2024. |
Wallace Berry Award |
