2022 Publication Award Nominees
All validated nominees for 2022 publication awards are listed in the table below.
| Publication Information | Award Type |
|---|---|
| Brown, J., Tan, D., & Baker, D. (2021). The perceptual attraction of pre-dominant chords. Music Perception, 39(1), 21-40. | Outstanding Publication Award |
| Burns, C. (2019). 'Together Again,' but we keep On crying: Buck Owens, Tom Brumley, and the pedal steel guitar, 1964. Music Theory Online, 25(2). | Outstanding Publication Award |
| Chung, A. (2019). What is musical meaning? Theorizing music as performative ttterance. Music Theory Online, 25(1). | Outstanding Publication Award |
| Duguay, M. (2019). Physical balance, gravity, and tension in contemporary piano works. Theory and Practice, 44, 1-38. | Outstanding Publication Award |
| Ewell, P. (2019). On the Russian concept of Lād, 1830-1945. Music Theory Online, 25(4). | Outstanding Publication Award |
| Hall, P. (2021). Giving voice to a foxtrot from Auschwitz-Birkenau. Music Theory Online, 27(3). | Outstanding Publication Award |
| Heneghan, Á. (2019). Liquidation and Its origins. Journal of Music Theory, 63(1), 71-102. | Outstanding Publication Award |
| Horton, J. (2021). Rethinking sonata failure: Mendelssohn's 'Overture Zum Marchen von der schonen Melusine'. Music Theory Spectrum, 43(2), 299-319. | Outstanding Publication Award |
| Hynes-Tawa, L. (2021). Tonic, final, kyū: Tonal mappings in the Meiji period and beyond. Analytical Approaches to World Music, 9(1). | Outstanding Publication Award |
| Kajikawa, L. (2021). Leaders of the new school? Music Departments, hip-hop, and the challenge of significant difference. Twentieth-century Music, 18(1), 45-64. | Outstanding Publication Award |
| Kozak, M. (2021). Feeling meter: Kinesthetic knowledge and the case of recent progressive metal. Journal of Music Theory, 65(20), 185-237 | Outstanding Publication Award |
| Lavengood, M. (2020). The cultural significance of timbre analysis: A case study in 1980s pop music, texture, and narrative. Music Theory Online, 26(3). | Outstanding Publication Award |
| Leaman, K. (2021). Musical techniques in Balanchine's jazzy Bach ballet. Journal of Music Theory 65(1), 139-169. | Outstanding Publication Award |
| Lee, K. (2021). Formalising star clusters: Sonata Pprocess and breakthrough function in the adagio of Mahler's Tenth Symphony. Music Analysis, 40(2), 178-226. | Outstanding Publication Award |
| Li, E. (2021). Cantopop and speech-melody complex. Music Theory Online, 27(1). | Outstanding Publication Award |
| Lucas, O. (2021). Performing analysis, performing metal: Meshuggah, Edvard Hansson, and the analytical light show. Music Theory Online, 27(4). | Outstanding Publication Award |
| Lumsden, Rachel (2020). Music theory for the 'weaker sex': Oliveria Prescott's columns for The Girl's Own Paper. Music Theory Online, 26(3). | Outstanding Publication Award |
| Mailman, J. (2020). Portmantonality and Babbitt's poetics of double entendre. Music Theory Online, 26(2). | Outstanding Publication Award |
| Manabe, N. (2019). Chants of the resistance: Flow, memory, and inclusivity. Music and Politics, 13(1). | Outstanding Publication Award |
| Manabe, N. (2019). We gon' be alright? The ambiguities of Kendrick Lamar's protest anthem. Music Theory Online, 25(1). | Outstanding Publication Award |
| Martins, J. (2019). Scalar dissonance and the analysis of polytonal/modal mismatch in Twentieth-century music. Musurgia 26(3-4), 49-87. | Outstanding Publication Award |
| Ohriner, M. (2019). Analyzing the pitch content of the rapping voice. Journal of New Music Research, 48(5), 413-433. | Outstanding Publication Award |
| Rao, N. (2020). The concept of Shi: Chinese aesthetics and Happy Rain on a Spring Night (2004). Music Theory Online, 26(3). | Outstanding Publication Award |
| Simpson-Litke, R. (2021). Flipped, broken, and paused clave: Dancing through metric ambiguities in salsa music. Journal of Music Theory, 65(1), 39-80. | Outstanding Publication Award |
| Sofer, D. (2020). Specters of sex: Tracing the tools and techniques of contemporary music analysis. Zeitschrift der Gesellschaft für Musiktheorie, 17(1), 31-63. | Outstanding Publication Award |
| Anderson, D. (2020). (Per)forming open form: A case study with Earle Brown's Novara. Music Theory Online, 26(3). | Emerging Scholar Award (Article) |
| Arthur, C. (2021). Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities. Journal of New Music Research, 50(1), 74-101. | Emerging Scholar Award (Article) |
| Babyak, T. (2020). My intersecting quests as a disabled independent scholar. Current Musicology, 107, 158-162 | Emerging Scholar Award (Article) |
| Burns, C. (2019). 'Together Again,' but we keep On crying: Buck Owens, Tom Brumley, and the pedal steel guitar, 1964. Music Theory Online, 25(2). | Emerging Scholar Award (Article) |
| Carter-Enyi, A., & Rabinovitch, G. (2021). Onset and contiguity: Melodic feature reduction and pattern discovery. Music Theory Online, 27(4). | Emerging Scholar Award (Article) |
| Chandler, O. (2021). Reginald Smith Brindle's concept of tonal-atonal equilibrium in theory and practice. Soundboard Scholar, 7. | Emerging Scholar Award (Article) |
| Chung, A. (2021). Vibration, difference, and solidarity in the anthropocene: Ethical difficulties of new materialist sound studies and some alternatives. Resonance: The Journal of Sound and Culture, 2(2), 218-241. | Emerging Scholar Award (Article) |
| Chung, A. (2019). What is musical meaning? Theorizing music as performative ttterance. Music Theory Online, 25(1). | Emerging Scholar Award (Article) |
| Duguay, M. (2019). Physical balance, gravity, and tension in contemporary piano works. Theory and Practice, 44, 1-38. | Emerging Scholar Award (Article) |
| Duinker, B. (2021). Segmentation, phrasing, and meter in hip-hop music. Music Theory Spectrum, 43(2). | Emerging Scholar Award (Article) |
| Emmery, L. (2020). Elliott Carter's first string quartet: In search of Proustian time. The Musical Quarterly, 101(3), 1-41. | Emerging Scholar Award (Article) |
| Frederick, L. (2019). Generic (Mod-7) voice-leading spaces. Journal of Music Theory, 63(2), 167-207. | Emerging Scholar Award (Article) |
| Guez, J. (2020). Recapitulatory compressions in some texted and instrumental works by Schubert. Music Theory Online, 26(2). | Emerging Scholar Award (Article) |
| Ho, J. (2021). Corporeal musical structure: A gestural-kinaesthetic approach to Toru Takemitsu's Rain Tree Sketch II. Music Theory Online, 27(4). | Emerging Scholar Award (Article) |
| Hynes-Tawa, L. (2021). Tonic, final, kyū: Tonal mappings in the Meiji period and beyond. Analytical Approaches to World Music, 9(1). | Emerging Scholar Award (Article) |
| Lavengood, M. (2020). The cultural significance of timbre analysis: A case study in 1980s pop music, texture, and narrative. Music Theory Online, 26(3). | Emerging Scholar Award (Article) |
| Leaman, K. (2021). Musical techniques in Balanchine's jazzy Bach ballet. Journal of Music Theory 65(1), 139-169. | Emerging Scholar Award (Article) |
| Lee, K. (2021). Formalising star clusters: Sonata Pprocess and breakthrough function in the adagio of Mahler's Tenth Symphony. Music Analysis, 40(2), 178-226. | Emerging Scholar Award (Article) |
| Li, E. (2021). Cantopop and speech-melody complex. Music Theory Online, 27(1). | Emerging Scholar Award (Article) |
| Lucas, O. (2021). Performing analysis, performing metal: Meshuggah, Edvard Hansson, and the analytical light show. Music Theory Online, 27(4). | Emerging Scholar Award (Article) |
| Maler, A., & Komaniecki, R. (2021). Rhythmic techniques in deaf hip hop. Music Theory Online, 27(1). | Emerging Scholar Award (Article) |
| Miller, B. (2021). Leonard Meyer's theory of musical style, from pragmatism to information theory. Resonance, 2(4), 475-502. | Emerging Scholar Award (Article) |
| Moreira de Sousa, D. (2019). Composing with textures: A proposal for formalization of textural spaces. MusMat: Brazilian Journal of Music and Mathematics, 3(1), 19-48. | Emerging Scholar Award (Article) |
| Morrison, L. (2021). Encoding post-spectral sound: Kaija Saariaho's early electronic music at IRCAM, 1982-87. Music Theory Online, 27(3). | Emerging Scholar Award (Article) |
| Murphy, N. (2021). Expressive timing in Bob Dylan's 'With God on our Side'. Music Analysis, 39(3), 387-413 | Emerging Scholar Award (Article) |
| Park, J. (2020). Rhyming techniques and identity in Korean hip hop. Journal of World Popular Music, 7(2), 45-67. | Emerging Scholar Award (Article) |
| Ripley, A. (2019). Mock trials in the music theory classroom. Journal of Music Theory Pedagogy, 33, 205-32. | Emerging Scholar Award (Article) |
| Sofer, D. (2020). Specters of sex: Tracing the tools and techniques of contemporary music analysis. Zeitschrift der Gesellschaft für Musiktheorie, 17(1), 31-63. | Emerging Scholar Award (Article) |
| Stevens, A. (2021). Music in the body: The Eighteenth-century contredanse and hypermetrical hearing. Journal of Music Theory, 65(1), 81-106. | Emerging Scholar Award (Article) |
| Sullivan, J. (2021). Metric manipulations in post-tonal music. Music Theory Spectrum, 43(1), 123-152. | Emerging Scholar Award (Article) |
| Tarrant, C. (2019). Structural acceleration in Nielsen's 'Sinfonia Espansiva'. Music Analysis, 38(3), 358-386. | Emerging Scholar Award (Article) |
| Utne-Reitan, B. (2021). Schematic deformation: Systematic linearity in Grieg's 'Takk' and other lyric pieces. Music Analysis, 40(20), 227-252. https://doi.org/10.1111/musa.12165 | Emerging Scholar Award (Article) |
| Zazulia, E. (2019). Out of proportion: Nuper rosarum flores and the danger of false exceptionalism. Journal of Musicology, 36(2), 131-166. | Emerging Scholar Award (Article) |
| Auerbach, B. (2021). Musical motives: a theory and method for analyzing shape in music. Oxford University Press. | Wallace Berry Award |
| BaileyShea, M. (2021). Lines and lyrics: an introduction to poetry and song. Yale University Press. | Wallace Berry Award |
| Benitez, Vincent. (2019). Olivier Messiaen's opera, Saint Francois d'Assise. Indiana University Press. | Wallace Berry Award |
| Bernstein, Z. (2021). Thinking in and about music: analytical reflections on Milton Babbitt's music and thought. Oxford University Press. | Wallace Berry Award |
| Burstein, P. (2020). Journeys through galant expositions. Oxford University Press. | Wallace Berry Award |
| Chua, D., & Rehding, A. (2021). Alien listening: Voyager's golden record and music from Earth. Zone Books. | Wallace Berry Award |
| Grant, R. (2020). Peculiar attunements : how affect theory turned musical. Fordham University Press. | Wallace Berry Award |
| Kozak, M. (2019). Enacting musical time: the bodily experience of new music. Oxford University Press. | Wallace Berry Award |
| Leong, D. (2019). Performing Knowledge: Twentieth-Century Music in Analysis and Performance. Oxford University Press. | Wallace Berry Award |
| Lucas, A. (2019). Music of a thousand years: a new history of Persian musical traditions. University of California Press. | Wallace Berry Award |
| Malawey, V. (2020). A blaze of light in every word: analyzing the popular singing voice. Oxford University Press. | Wallace Berry Award |
| Ohriner, M. (2019). Flow: the rhythmic voice in rap music. Oxford University Press. | Wallace Berry Award |
| Robinson, D. (2020). Hungry listening: resonant theory for indigenous sound studies. University of Minnesota Press. | Wallace Berry Award |
| Shelley, B. (2021). Healing for the soul: Richard Smallwood, the vamp, and the gospel imagination. Oxford University Press. | Wallace Berry Award |
| Wannamaker, R. (2021). The music of James Tenney, Vol. 1: Contexts and paradigms; Vol. 2: A handbook to the pieces. University of Illinois Press. | Wallace Berry Award |
| Bernstein, Z. (2021). Thinking in and about music: analytical reflections on Milton Babbitt's music and thought. Oxford University Press. | Emerging Scholar Award (Book) |
| Cook, K. (2021). Music theory in late Medieval Avignon: Magister Johannes Pipardi. Routledge. | Emerging Scholar Award (Book) |
| Emmery, L. (2020). Compositional process in Elliott Carter's string quartets: a study in sketches. Routledge/Taylor & Francis. | Emerging Scholar Award (Book) |
| Palfy, C. (2021). Musical agency and the social listener. Routledge. | Emerging Scholar Award (Book) |
| Shelley, B. (2021). Healing for the soul: Richard Smallwood, the vamp, and the gospel imagination. Oxford University Press. | Emerging Scholar Award (Book) |
| Tilley, L. (2019). Making it up together: the art of collective improvisation in Balinese music and beyond. The University of Chicago Press. | Emerging Scholar Award (Book) |
| Zazulia, E. (2021). Where sight meets sound: the poetics of late-Medieval music writing. Oxford University Press. | Emerging Scholar Award (Book) |
| Duguay, M., Hannaford, M., and Momii, T. (2020). Engaged Music Theory. https://engagedmusictheory.com/ | Citation of Special Merit |
| Mailman, J. (2019). Babbitt's Beguiling Surfaces, Improvised Inside, parts 1-3. SMT-V, 5(1-3). | Citation of Special Merit |
| Ferguson, B. (ed. and author), Elkins, A., & Laws-Nicola, T. (2020). Music Theory Examples in Video Game Music. Journal of Music Theory Pedagogy. | Citation of Special Merit |
| Gotham, M., Gullings, K., Hamm, C., Hughes, B., Jarvis, B., Lavengood, M., & Peterson, J. (2021). Open Music Theory, Version 2. https://viva.pressbooks.pub/openmusictheory/ | Citation of Special Merit |
| Sanchez-Behar, A. (2020). John Adams: A research and information guide. Routledge | Citation of Special Merit |
| Emmery, L. & Levy, B. (Eds.). (2021). Special symposium: Archival research in music: New materials, methods, and arguments. Music Theory Online, 27(3). | Outstanding Multi-Author Collection |
| McAuley, T., Nielsen, N., Levinson, J., & Phillips-Hutton, A. (Eds.). (2021). The Oxford handbook of western music and philosophy. Oxford University Press. | Outstanding Multi-Author Collection |
| Rodgers, S. (Ed.). (2021). The songs of Fanny Hensel. Oxford University Press. | Outstanding Multi-Author Collection |
| Emmery, L. (2021). Serbian musical avant-gardes. Contemporary Music Review, 40(5-6). | Outstanding Multi-Author Collection |
| VanHandel, L. (Ed.). (2020). The Routledge companion to music theory pedagogy. Routledge. | Outstanding Multi-Author Collection |
| Garrett, C., & Oja, Carol J.(Eds.). (2021). Sounding together: collaborative perspectives on U.S. music in the 21st century. University of Michigan Press. | Outstanding Multi-Author Collection |
| Gatdula, A. (Ed.). (2020). Project Spectrum colloquy: Strengthening the pipeline. Current Musicology, 107, 137-162. | Outstanding Multi-Author Collection |
| Venn, E., & Stoecker, P. (Eds.). (2021). Thomas Adès studies. Cambridge University Press. | Outstanding Multi-Author Collection |
Contact the Executive Director with any questions about these entries.
Last modified
June 21, 2022