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  3. / Music Theory Online 28.3

Music Theory Online 28.3

Sep
27
2022
By mlavengood

We are pleased to announce the publication of a new issue of Music Theory Online. 

View issue

japanese maple leaf

We at MTO are proud to present Volume 28, no. 3, with nine new articles. Looking forward to seeing all in New Orleans!

Best regards,
Mitch Ohriner, Editor


Editor’s Message

Articles

Vilde Aaslid - Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language

Jack Boss - George Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles

Samuel Gardner and Nicholas J. Shea - Gestural Perspectives on Popular-Music Performance

Andrew Goldman - Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation

Megan Kaes Long - Reassessing the Plagal Cadence in Byrd and Morley

Stephen McAdams, Meghan Goodchild, and Kit Soden - A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception

Mark Micchelli - Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music

Drew F. Nobile - Teleology in Verse–Prechorus–Chorus Form, 1965–2020

William O’Hara - The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers

  • mto
  • vijay iyer
  • mike ladd
  • hip hop
  • embodiment
  • cecil taylor
  • george walker
  • pop
  • form
  • Renaissance music
  • orchestration
  • perception
  • youtube
  • public music theory
  • jazz

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